I just wanted to post a quick update on the current work in progress.  I’m writing the last book in the Monsters of Green Lake series, THE DEMONS OF GREEN LAKE, and today I hit the 20,000 word mark.  There’s still more to go, but that’s a pretty big milestone in ANY story, and worth noting.

 

Normally, these Green Lake stories don’t tend to run much longer than 20,000, but this one’s still got some story left to tell, so it’s gonna be a bit thicker than the others in the series.  Originally I’d thought it might even reach short novel length, but having gotten this far into it now, and seeing where the story goes, where the climax comes, it actually won’t be THAT long.  But it’s definitely still got some things to say before I get to THE END.

 

Having recently listened to the audiobook for book 3, THE WITCHES OF GREEN LAKE, I thought I did some pretty good work in that one.  But the stuff happening in THIS book, part 4?  I think it’s safe to say this is my favorite book in the series.

 

I can’t wait to finish it and share it with everyone.

I feel like I need to start this year by talking about a friend of mine.  But first a look back.  When I was younger, I’d tried to write many many times, all through grade school to high school.  Every so often I’d think I want to write a story.  It was always longhand, and that was the first stumbling block.  But also I just didn’t have the tools, mentally, to do it.  But the desire never left.

 

Then one day in 1990 or 1991 I started working at a fast-food restaurant where I met a man named Mike Swope.  Unbeknownst to me at the time, Mike was a writer.  He came to work one day with copies of a book he had self-published, a chapbook really, of poetry and short fiction, called OR.

 

Fascinated by the idea that this guy I knew, this fellow fast-food employee might also be a writer … I had to buy a copy of his book.  Naturally I read it, and was floored, not just at how much I enjoyed it, but also how effortless he made the words, and the work, seem.

 

More chapbooks followed, one was called Passed Through the Hands—which, now that I think about it might have been an earlier book, but I didn’t discover it until after OR—and then I found out he edited and published a small literary magazine at the college he attended in town.  The zine was called Soundings.

 

To my then 18-year-old self, this was all just the wildest, most insane thing, all literary and arty and so far over my head.  But I wanted in.

 

Soon after meeting Swope, I took the plunge once again and started writing a story.  I didn’t know how long it would be or even if I would finish it, but it was the first time I’d ever tried to write something where the story was so complete in my head. I didn’t know every detail when I started, but I knew a lot of them, and I was determined to finish, AT LEAST, this one story.  If I ever wrote another, I’d worry about that later, but for that moment, I had that one story in my head.

 

And then I had another story, and another, and another followed after that, and pretty soon I had all kinds of story ideas in my head, and then one day I showed something I’d written to Swope.

 

My heart was in my throat, I think is a saying for when people are incredibly nervous, and that about sums it up as he read what I had written.  And then he said he liked it and I should keep going.

 

So I did.

 

Over the years, Swope’s guidance gave me a greater education, in a much shorter time, than I ever could have gained on my own.  He taught me so much about editing, word choice, scene construction, and just, well, everything about writing that would have taken me forever to learn without him.  Would I have gotten there eventually?  Maybe.  But with Swope’s mentorship, I don’t have to wonder.  He got me there.

 

And then he went one step further.

 

Back in 2003 when an author website was more of a novelty, something we all wanted, but probably wouldn’t know how to use if we had one, and most of them were from other sites like geocities—there weren’t many dedicated domains back then—he gifted me with my very own domain, cdennismoore.com.

 

Why did he do it?  I have no idea other than maybe he had more faith in my writing than I did.  Whatever the reason, for the next 20 years, I had my own site.  Every year for Christmas, Swope renewed the domain name and offered me free hosting.

 

I haven’t always taken full advantage of having the site, I’ve often neglected to update it as regularly as I should or could with my new works, but it was always there, and the address has always been in every one of my books if people wanted to check it out.

 

Then a fucking TERRIBLE thing happened in October 2023.  Mike was in a motorcycle accident that took his life.

 

My friend was gone.  My mentor.  The guy who still, over 30 years into my writing life, I wanted to impress more than anyone else, wasn’t there anymore.

 

And then I realized soon after, oh shit, with Swope gone, what happens to the website?  I was going to have to make sure I secured the domain when it expired, and then I’d have to find alternate hosting, but after contacting his son who put me in touch with the guy who was taking over the other sites Swope ran—he had a lot of sites under his care—the site was only down for a few days.  Now it’s back up, it’s January 1st 2024, and I wanted the first thing I said here to be about Mike Swope and how grateful I am, and always will be, for everything he ever did for me, things he didn’t have to do, but things he did anyway, either because he believed in me, or because he was just that fucking awesome of a guy.  I like to think it’s a bit of both.

 

Most of Swope’s writings are now lost to time, but he did appear in a volume of L. Ron Hubbard’s Writers of the Future, and last year, I finally talked him into self publishing one of his old stories—the one from that Hubbard anthology, in fact—called “Timepieces”.

 

Swope’s gone, so I don’t know what happens to any money his story makes now, but if you’re so inclined to check out the guy who made me a better writer—and I encourage to do so, it’s a great story—click HERE.

 

Meanwhile, again, I just wanted to start the year with a testament to Mike Swope, the man without whom I probably wouldn’t have had even half the successes I have.  Thanks, man.  I truly couldn’t have done it without you.

 

–D.

THE CALL OF THE TRACK AHEAD, by Dean Wesley Smith

Do you risk your life, your safety, and the women you love for a dream?

Sometimes just a single step from a moving train can provide the answer.

A heart-warming contemporary fantasy story by USA Today bestselling author Dean Wesley Smith.

Bestselling author Dean Wesley Smith has written more than one hundred popular novels and hundreds of published short stories. His novels include the science fiction novel Laying the Music to Rest and the thriller The Hunted as D.W. Smith. With Kristine Kathryn Rusch, he is the coauthor of The Tenth Planet trilogy and The 10th Kingdom.

A CHOIR OF ILL CHILDREN, BY TOM PICCIRILLI

This lyrical tale of evil, loss, and redemption is a stunning addition to the Southern gothic tradition of Flannery O’Connor and Harry Crews.

A Choir of Ill Children is the startling story of Kingdom Come, a decaying, swamp backwater that draws the lost, ill-fated, and damned.

Since his mother’s disappearance and his father’s suicide, Thomas has cared for his three brothers—conjoined triplets with separate bodies but one shared brain—and the town’s only industry, the Mill.

Because of his family’s prominence, Thomas is feared and respected by the superstitious swamp folk. Granny witches cast hexes while Thomas’s childhood sweetheart drifts through his life like a vengeful ghost and his best friend, a reverend suffering from the power of tongues, is overcome with this curse as he tries to warn of impending menace. All Thomas learns is that “the carnival is coming.”

Torn by responsibility and rage, Thomas must face his tormented past as well as the mysterious forces surging toward the town he loves and despises.

Hammers on Bone (Persons Non Grata, 1), by Cassandra Khaw

Cassandra Khaw bursts onto the scene with Hammers on Bone, a hard-boiled horror show that Charles Stross calls “possibly the most promising horror debut of 2016.” A finalist for the British Fantasy award and the Locus Award for Best Novella!

John Persons is a private investigator with a distasteful job from an unlikely client. He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable.

He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and demons, and broken them in his teeth.

As Persons investigates the horrible McKinsey, he realizes that he carries something far darker. He’s infected with an alien presence, and he’s spreading that monstrosity far and wide. Luckily Persons is no stranger to the occult, being an ancient and magical intelligence himself. The question is whether the private dick can take down the abusive stepdad without releasing the holds on his own horrifying potential.

Terror in Brief: 200 Two-Sentence Horror Stories, by D. T. Adams

Chilling horror stories that are very short, but no less scary

All 200 stories in Terror in Brief are just two sentences long. The frightening, bite-sized tales in this collection are presented in four categories:

– Twisted Individuals. Bloodcurdling stories about evil, morally bankrupt people, lunatics and sociopaths

– Remorseless Killers. Horrific stories about those willing to commit murder

– Terrifying Creatures and Wicked Beings. Savage stories about non-humans and the terror their acts can cause

– Creepy and Horrific Happenings. Strange stories about paranormal and supernatural phenomena that can prove deadly

Encounter foul, crooked people and bear witness to the revolting things they do. See what fearless beasts and otherworldly spirits are capable of. Watch as weird occurrences have disastrous consequences and effects.

If you’re a horror fan and you enjoy very short fiction, you’ll enjoy Terror in Brief.

 

G. I. JOE CLASSICS, Vol. 1, by Larry Hama

The classic Marvel Comics G.I. Joe gets new life in this first collection of must-have Joe stories! This action-packed volume collects the classic G.I. Joe issues #1 to 10. Writer Larry Hama, the man irrevocably linked to G.I. Joe, guided the team for over ten years (and he returns to the characters next month in an all-new series!). Here, he is joined by an array of artists, including Herb Trimpe, Mike Vosburg, and Don Perlin.

JUSTICE LEAGUE VS. THE LEGION OF SUPER-HEROES, BY BENDIS AND GODLEWSKI

The greatest heroes of two eras face their biggest threat…each other! It’s the 21st century versus the 31st century, with all of reality at stake!

One thousand years in the future, a Legion of Super-Heroes comes together to dedicate their lives to recapturing the great age of heroes of the 21st century. When the heroes discover that reality is falling to a great darkness in both times simultaneously, the Justice League and the Legion of Super-Heroes must team up to stop it all.
 
Soon, the Justice League are trapped in the 31st century, and the looming terror of the Great Darkness hovers over both time periods simultaneously. Even as the great heroes of the 21st century get to experience the fantastic far-flung future, the mysteries behind the Gold Lantern and the Great Darkness threaten all of existence. What is the secret behind the Great Darkness? And will the greatest heroes of two ages be able to stop it before it’s too late?
 
Two of DC’s top super-teams clash, as threads from legendary writer Brian Michael Bendis’ runs on Legion of Super-Heroes and Justice League collide in a story with both the present and the future at risk!
 
Collects Justice League vs. Legion of Super-Heroes #1-6.

HOW TO READ COMICS THE MARVEL WAY, by Christopher Hastings and Scott Koblish

Presenting a universal gateway into the House of Ideas! You know you’ve experienced it before, True Believer: you loan your friend a comic book, only to have it returned unfinished. “I tried to read it,” they say, “but I just got lost.” What went wrong? Comics can be like a foreign language – if you don’t learn them young, you might need extra help to catch on. Other clever cartoonists and scribes have shared their theories on the grammar of comics…but it’s never been done in the Mighty Marvel Manner before! So get ready, because Mysterio has trapped Spider-Man inside a comic book – and Spidey’s going to help you navigate through the gutters, balloons, panels, pencils and more! Follow along as Spidey figures out how to escape and save the day!

Collecting: HOW TO READ COMICS THE MARVEL WAY (2020) 1-4, MS. MARVEL (2014) 1, ULTIMATE COMICS SPIDER-MAN (2011) 1, MOON GIRL AND DEVIL DINOSAUR (2016) 1, SPIDEY (2016) 1

 

On my Kindle, I am currently rotating between these four books:

FREE FIVE, by Paul D. Dail 

Five Flash Fiction horror pieces, all under 1000 words.

Each piece also includes a brief afterword from the author with a bit of background on where he got the idea for the story.

A little insight into the life and mind of a horror writer.

Approx. 7000 words (roughly 28 pages)

Includes:
– “The Professional Crier”
The tears of high school outcast Penny Circe can bring back the dead. At least temporarily.

– “I Spy With My Little Eye”
Anthony Monsano has gone through hell to finally find himself in possession of the round box. The question is, what’s inside?

– “Run, Rabbit. Run.”
Pete Cantrell hates jackrabbits. Unfortunately, his home is surrounded by them. And something else as well.

– “The Death He Expected”
A group of boys on a midnight, full moon trip to an Indian burial site get more than just a practical joke.

– “Another Oldie But Goodie”
Retirement home resident Margaret Daniels is hearing music that no one else can hear, a song she hasn’t heard in almost 50 years.

FIVE MINUTE FRIGHTS, by Dan Deluise 

“Absolutely horrifying.” – Customer Review

Neighbors who haven’t left the house in years. Unwelcome visitors who don’t let you sleep. Reflections that look like someone else. Combining elements of folklore, 80’s horror, and campfire stories, “Five-Minute Frights” is a collection of flash fiction that’ll raise the hairs on the back of your neck.

 

30 DAY WRITING CHALLENGE, by Sara E. Crawford

Do you want to take your writing to the next level?

The 30-Day Writing Challenge encourages beginner and advanced writers alike to stretch their writing muscles and create or enhance a daily writing habit. Each day, a new writing exercise/prompt is presented in an inventive collection that focuses on technique, inspiration, and craft by taking a comprehensive look across multiple forms and genres of writing.

STAR TREK Vol. 1, by Mike Johnson and Steven Molnar

The adventures of the Starship Enterprise continue in this new story that picks up where the blockbuster 2009 film left off! Featuring the new cast of the film, these missions re-imagine the stories from the original series in the alternate “Kelvin” timeline created by the film, along with new threats and characters never seen before! With creative collaboration from Star Trek writer/producer Roberto Orci, this new series begins the countdown to 2012’s Star Trek: Into Darkness.

Collects issues 1-4.

HIT ME, by Christa Faust

A high-octane crime thriller from Christa Faust (Bad Mother, Redemption) and Priscilla Petraites (Chariot). Lulu has a very unique profession: She gets paid by the bruise. When she is witness to the execution of one of her regular clients, she escapes into the night with a briefcase filled with diamonds and a pack of killers on her trail. Navigating the dark underbelly of decaying, early-90’s Atlantic City, one step ahead of her pursuers, Lulu must call upon every one of her street-born instincts and underworld connections in what will be the longest – and possibly last – night of her life.

Today I start Dean Wesley Smith’s THE CASE OF THE INTRUSIVE FURNITURE: A Pilgrim Hugh Incident.

Pilgrim Hugh solved some odd cases before, but an old, smelly couch sitting in the middle of a beautiful lawn seems to have full-blown strange written all over it. With his friend and beautiful assistant, Carrie, he must figure out why the couch ended up there and what the woman living in the perfect home hid (besides a bad facelift and a heart of stone). A new Pilgrim Hugh Incident.

One after work, one before bed.

THE CABIN AT THE END OF THE WORLD, by Paul Tremblay

Paul Tremblay’s terrifying twist to the home invasion novel—now a major motion picture.

“A tremendous book―thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay’s personal best. It’s that good.” — Stephen King

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault”. Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.”

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

THE JERSEY DEVIL, by Hunter Shea

“Old school horror.” —Jonathan Maberry

THE LEGEND LIVES
Everyone knows the legend of the Jersey Devil. Some believe it is an abomination of nature, a hybrid winged beast from hell that stalks the Pine Barrens of southern New Jersey searching for prey. Others believe it is a hoax, a campfire story designed to scare children. But one man knows the truth…

THE DEVIL AWAKES
Sixty years ago, Boompa Willet came face to face with the Devil—and lived to tell the tale. Now, the creature’s stomping grounds are alive once again with strange sightings, disappearances, and worse. After all these years, Boompa must return to the Barrens, not to prove the legend is real but to wipe it off the face of the earth…

THE BEAST MUST DIE
It’ll take more than just courage to defeat the Devil. It will take four generations of the Willet clan, a lifetime of survivalist training, and all the firepower they can carry. But timing is critical. A summer music festival has attracted crowds of teenagers. The woods are filled with tender young prey. But this time, the Devil is not alone. The evil has grown into an unholy horde of mutant monstrosities. And hell has come home to New Jersey…

“Shea delivers a tense and intriguing work of escalating tension splattered with a clever, extensive cast of bystanders turned victims…An otherwise excellent, tightly delivered plot…Fans of cryptid creatures are likely to revel in this love letter to a legendary menace.”– Publishers Weekly

Two new books added to the rotation.

VOICES, by Kit Power:

A series of micro-collections featuring a selection of peculiar tales from the best in horror and speculative fiction.  From Black Shuck Books and Kit Power comes Voices, the seventeenth in the Black Shuck SHADOWS series.

 

 

 

 

 

ALABASTER: WOLVES, by Caitlin R. Kiernan

Dancy Flammarion may look like a frail teenage girl, but her journey through the swamps and byways of the American South brings her into battle with werewolves, monsters, and grotesque secrets, armed only with a knife and a mission to destroy the deadly creatures that lurk in shadow. Collects the five-issue miniseries.

“It’s gentle and horrific and apocalyptic all at once. Good writing. Good pencil and ink work. Good colors. That’s a good comic.” –Comics Alliance

 

MASTER OF KUNG FU: BLEEDING BLACK

Shang Chi, Master of Kung Fu, has been poisoned. His only hope is to find the elixir vitae, the serum of eternal life created by his father. Shang Chi’s quest takes him to all of his father’s hidden facilities, where he will face the deadly traps designed to keep out thieves. He is accompanied by his allies from British Secret Service: Sir Denis Nayland Smith, Clive Reston, Blackjack Tarr and his beloved Leiko Wu. On the verge of death, he must nonetheless find the strength to defeat the assassin Shadow Hand, though every minute he is delayed brings him closer to the end in this 80-page special. 

AVENGERS: DEATHTRAP–THE VAULT

The Avengers are trapped inside the Vault, a maximum-security prison built to house super villains. Now they must battle a cadre of the Marvel U’s deadliest villains including Radioactive Man, Klaw, Rhino, and Spider-Man’s arch nemesis, Venom! To make matters worse, Freedom Force, the former Brotherhood of Evil Mutants now a government sponsored strike force, are on the scene to complicate things. Can Earth’s Mightiest Heroes quell a superhuman prison break when they’re not sure who they can trust?

In addition to GWENDY’S FINAL TASK (I have finished INAPPROPRIATE), I am also reading selected stories from the following collections I got from the library:

 

THE DARK: New Ghost Stories, edited by Ellen Datlow

Modern audiences have long inured themselves to fear, trained themselves to shut off their childish nighttime terrors and scoff in the face of deliberate scares. But award-winning anthologist Ellen Datlow–called “the genre’s sharpest assembler of strange, dark fictions” by William Gibson, author of Neuromancer–was convinced that there was life in the ghost story yet. So she challenged a list of varied and talented contributors to scare the heck out of her.

 

 

BODY SHOCKS: Extreme Tales of Body Horror, edited by Ellen Datlow

[STARRED REVIEW] “Hugo Award–winning editor Datlow (Edited By) brings together 29 spine-tingling tales of body horror to terrify even the most seasoned horror reader.”
Publishers Weekly

Bestselling editor Ellen Datlow (Lovecraft’s Monsters) presents body horror at its most wide-ranging and shocking best. Discover twenty-nine intricate, twisted tales of the human body, soul, and psyche, as told by storytelling legends including Carmen Maria Machado, Richard Kadrey, Seanan McGuire, Caitlín R. Kiernan, Nathan Ballingrud, Tananarive Due, Cassandra Khaw, Christopher Fowler, and many more.

The most terrifying thing that you can possibly imagine is your own body in the hands of a monster. Or worse, in the hands of another human being. In this definitive anthology of body horror selected by a World Horror Grandmaster, you’ll find the unthinkable and the shocking: a couture designer preparing for an exquisitely grotesque runway show; a vengeful son seeking the parent who bred him as plasma donor; a celebrity-kink brothel that inflicts plastic surgery on sex workers; and organ-harvesting doctors who dissect a living man without anesthetic.

 

FLIGHT OR FRIGHT: 17 Turbulent Tales, edited by Stephen King and Bev Vincent

#1 New York Times bestselling author and master of horror Stephen King teams up with Bev Vincent of Cemetery Dance to present a terrifying collection of sixteen short stories (and one poem) that tap into one of King’s greatest fears—air travel—featuring brand-new stories by King and Joe Hill, “an expertly compiled collection of tales that entertain and scare” (Booklist).

Stephen King hates to fly, and he and co-editor Bev Vincent would like to share their fear of flying with you.

Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you’re suspended six miles in the air, hurtling through space at more than 500 mph, and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. Here are all the ways your trip into the friendly skies can turn into a nightmare, including some we’ll bet you’ve never thought of before… but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.

Featuring brand-new “standouts” (Publishers Weekly) by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, Sir Arthur Conan Doyle, and many others, Flight or Fright is, as King says, “ideal airplane reading, especially on stormy descents…Even if you are safe on the ground, you might want to buckle up nice and tight.”

Each story is introduced by Stephen King and all will have you thinking twice about how you want to reach your final destination.

INAPPROPRIATE, by Gabrielle Bell

2 IGNATZ AWARD NOMINATIONS: Outstanding Collection + Outstanding Story

Foreword Indies Finalist

One of the Best Graphic Novels of the Year ― Library Journal

Gabrielle Bell returns with a brilliant new collection of hilarious short stories. From a revisionist Red Riding Hood, to uncomfortable role reversals, Gabrielle Bell revels in skewering modern mores with razor-sharp humor and wry observations. Culled from The New YorkerParis Review, and Medium, including several brand new previously unpublished gems, Inappropriate collects Bell’s best short comics form the last couple of years.

 

And when I’m done with that, I’ll finally dig into GWENDY’S FINAL TASK, by Richard Chizmar and Stephen King.

When Gwendy Peterson was twelve, a mysterious stranger named Richard Farris gave her a mysterious box for safekeeping. It offered treats and vintage coins, but it was dangerous. Pushing any of its seven colored buttons promised death and destruction.

Years later, the button box entered Gwendy’s life again. A successful novelist and a rising political star, she was once again forced to deal with the temptation that box represented.

Now, evil forces seek to possess the button box and it is up to Senator Gwendy Peterson to keep it from them. At all costs. But where can you hide something from such powerful entities?

In Gwendy’s Final Task, “horror giants” (Publishers Weekly) Stephen King and Richard Chizmar take us on a journey from Castle Rock to another famous cursed Maine city to the MF\\\-1 space station, where Gwendy must execute a secret mission to save the world. And, maybe, all worlds.

THE ART OF NEIL GAIMAN, by Hayley Campbell

With unprecedented access to Neil Gaiman’s personal archives, author Hayley Campbell gives an insider’s glimpse into the artistic inspirations and musings of one of the world’s most visionary writers.

Over the last twenty-five years, Neil Gaiman has mapped out a territory in the popular imagination that is uniquely his own. A master of several genres, including, but not limited to, bestselling novels, children’s books, groundbreaking comics, and graphic novels, it’s no wonder Gaiman has been called a rock star of the literary world. Now, for the first time, Gaiman reveals the inspiration behind his signature artistic motifs, giving author Hayley Campbell a rare, in-depth look at the contents of his personal notebooks and early work, even some of his abandoned projects. The result is a startling, intimate glimpse into the life and mind of one of the world’s most creative visionaries. The book is the first comprehensive, full-color examination of Gaiman’s work to date, tracing the genesis of his creative life as a starving journalist in the UK to his life as a successful comic book writer and, ultimately, a bestselling novelist.

Complete with running commentary, interview text, and annotated material that contextualizes the visual material, this deluxe compendium contains never-before-seen material and promises to be every bit as inspired as Gaiman is himself. 

THE DEVIL CREPT IN, by Ania Ahlborn

An unforgettable horror novel from bestselling sensation Ania Ahlborn—hailed as a writer of “some of the most promising horror I’ve encountered in years” (New York Times bestselling author Seanan McGuire)—in which a small-town boy investigates the mysterious disappearance of his cousin and uncovers a terrifying secret kept hidden for years.

Young Jude Brighton has been missing for three days, and while the search for him is in full swing in the small town of Deer Valley, Oregon, the locals are starting to lose hope. They’re well aware that the first forty-eight hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark’s youth, he knows that, too; he’s seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.

That, and there was that boy, Max Larsen…the one from years ago, found dead after also disappearing under mysterious circumstances. And then there were the animals: pets gone missing out of yards. For years, the residents of Deer Valley have murmured about these unsolved crimes…and that a killer may still be lurking around their quiet town. Now, fear is reborn—and for Stevie, who is determined to find out what really happened to Jude, the awful truth may be too horrifying to imagine.

 

BOWIE IN BERLIN, by Thomas Jerome Seabrook

Driven to the brink of madness by cocaine, overwork, marital strife, and a paranoid obsession with the occult, Bowie fled Los Angeles in 1975 and ended up in Berlin, the divided city on the frontline between communist East and capitalist West. There he sought anonymity, taking an apartment in a rundown district with his sometime collaborator Iggy Pop, another refugee from drugs and debauchery, while they explored the city and its notorious nightlife. In this intensely creative period, Bowie put together three classic albums Low, “Heroes”, and Lodger with collaborators who included Brian Eno, Robert Fripp, and Tony Visconti. He also found time to produce two albums for Iggy Pop (The Idiot and Lust For Life) and to take a leading role in a movie, the ill-starred Just A Gigolo. Bowie In Berlin examines that period and those records, exploring Bowie’s fascination with the city, unearthing his sources of inspiration, detailing his working methods, and teasing out the elusive meanings of the songs. Painstakingly researched and vividly written, the book casts new light on the most creative and influential era in David Bowie’s career.